Songs from the Sparkle Lounge is the tenth studio album by the English hard rock band Def Leppard. It was released on 25 April 2008 in Europe and 29 April in North America. In an Interview on Rockline radio, two band members, Joe Elliott and Vivian Campbell stated that the title of their latest studio album would be Songs from the Sparkle Lounge, saying that "Until someone comes up with a better name this will be the final title upon release"
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Are you tough enough is your stuff enough can you start it up are you sharp enough let it roll, let em go, let em fly took a chance on a chance but the aces were high get it on, give it up, give it in you stole the wages of sin got to be in it to win. nine lives, nine times to die I've been bitten once but I won't be twice shy nine lives, nine times to die come on and show me your hand cause it's your time to cr. SONGS FROM THE SPARKLE LOUNGE is DEF LEPPARD'S tenth studio album and 14th album overall. It was released on April 25, 2008 in Europe and April 29 in North America. The album debuted at on Billboard's "Top 200" Album Chart.
Songs From The Sparkle L. .has been added to your Cart. 2008 album from Great Britain's premiere Arena Rock band, their 14th studio album overall. This is Def Leppard's first album of brand new material since 2002's X and begins yet another remarkable new chapter in the band's 30-year recording career. Recorded last year during month-long stints at lead singer Joe Elliott's Dublin studio, the album's title refers to a backstage area called The Sparkle Lounge on Def Leppard's 2006 tour where the band would go to write songs
Band Name Def Leppard. Album Name Songs from the Sparkle Lounge. 版公司 Universal Music Group Mercury Records Island Records. Bonustracks (Japanese Release). 12. Love (Piano Version). 13. Nine Lives (Def Leppard Version). Other productions from Def Leppard. Songs from the Sparkle Lounge.
Def Leppard have always thought big. And their best tunes have always sounded as if they were written with the arena in mind. It was their meticulous collaboration with producer Robert John Mutt Lange that brought them to previously unimagined commercial and artistic peaks with Pyromania and Hysteria. On their own in 2008, 20 years since the glory days and producing themselves, the band remains disciplined if not quite as wide-screened in their audio attack. A street-walking stomper like C’mon C’mon packs a dense punch even with its layers of backing vocals and walls of guitars