Sticky Fingers is the ninth British and eleventh American studio album by the English rock band The Rolling Stones, released in April 1971.
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UMG; SOLAR Music Rights Management, UBEM, ARESA, BMI - Broadcast Music In. PEDL, LatinAutor, Warner Chappell, LatinAutor - SonyATV, EMI Music Publishing" и другие авторские общества (14). UMG (от лица компании "Polydor"); LatinAutor, LatinAutor - SonyATV, BMI - Broadcast Music In. SOLAR Music Rights Management, EMI Music Publishing, UBEM, ARESA, ABKCO Music, In. и другие авторские общества (12). I Got The Blues (Remastered). Авторы текста и музыки. Keith Richards, Mick Jagger.
Released April 23, 1971. Sticky Fingers Tracklist. 1. Brown Sugar Lyrics. About Sticky Fingers. Musically, it continues on the eclectic, but roots-based formula of the previous two records, as the band assimilates soul, latin, folk and Eastern influences along its usual (for the time) country, rock and blues affairs
The album also featured the first usage of the band’s ‘tongue & lips’ logo, which was originally designed by John Pasche.
As I listened to Sticky Fingers, for the first time I thought Brown Sugar was good, but not that good. I certainly hoped it wasn’t the best thing on the album. As it turns out, there are a few moments that surpass it but it still sets the tone for the album perfectly: middle-level Rolling Stones competence. The lowpoints aren’t that low, but the high points, with one exception, aren’t that high. As to the performance itself, the chords, harmony, and song are powerful stuff. The bass and drums - the Rolling Stones bottom that has driven its way through over 200 cuts and which is the true instrumental trademark of the group - burns like a bitch. I’ve Got the Blues : In the tradition of the earlier R&B Imitations such as Pain In My Heart, You Better Move On, If You Need Me, and best of all their great That’s How Strong My Love Is.
When the Stones began recording Sticky Fingers on their 1969 American tour, with Muscle Shoals sessions that took in "Brown Sugar," "Wild Horses" and "You Gotta Move. Altamont hadn't happened yet. When the finished album appeared in spring 1971, it was the work of a wiser, yet finally unapologetic, band. Did that cover look like an "I'm sorry"?) It's a lusty party album that was nonetheless steeped in fever dreams. Brown Sugar" found Jagger and Richards pushing boundaries of racial complexity by imagining the sexual escapades.