Psychedelic/Space Rock. The chapter about the song Interstellar Overdrive reveals that the album The Piper At The Gates Of Dawn was hailed by everybody. except the fans who supported The Pink Floyd in the UFO because "The Piper failed to capture the live sound of Pink Floyd". For many the composition Interstellar Overdrive was "the closest thing we have on record to what Pink Floyd did on stage in the early days". and "This song paved the way for spacerock". The story is embellished with mindblowing live footage: Rome Goes Pop by the German television (ARD 1968).
Nom du groupe Pink Floyd. Nom de l'album Pink Floyd's Piper At The Gates Of Dawn. Date de parution 29 Août 2006. Labels Navarre Corporation. Style MusicalRock Progressif. Membres possèdant cet album3.
Released August 4, 1967. The Piper at the Gates of Dawn Tracklist. 1. Astronomy Domine Lyrics. Consisting of twelve tracks, the material on this album ranged from psychedelic pop music that was widely received by most of Great Britain to long-winded acid rock instrumentals. This album was produced between February and May of 1967 by musician Norman Smith. It was released in the summer of 1967, also known as the Summer of Love which was the climax of experimental drugs and burgeoning artists who were influenced by the popular psychedelic sound in both Great Britain and the United States
The original band members of Pink Floyd relaxing at Abbey Road Studios whilst recording their debut album 'The Piper at the Gates of Dawn' in June 1967. Pink Floyd are currently getting set for the 'Their Mortal Remains' exhibition at the V&A - Check out our range of images for sale.
Even though Pink Floyd's debut album followed Sgt. Pepper's by a couple of months, nothing could have prepared the world for the magical blend of genius and LSD-induced madness that drove Floyd frontman Syd Barrett's dazzling psychedelic vision. Barrett's cubist guitar riffs collide magnificently with Rick Wright's hypnotic, snake-charmer organ lines amid a dizzying merry-go-round of sound effects. All the while, Syd's equally abstract lyrical approach freely mixes fairytale imagery with cosmic explorations-the ideal soundtrack for journeys through both outer and.
For me, the joy of Pink Floyd was going backwards and discovering what they did before. And the important thing about The Piper At The Gates Of Dawn was the music’s strange juxtaposition – sometimes whimsical and pastoral, but simultaneously desperate and sad. I don’t think I ever found another record which that type of dichotomy worked so well. With Syd Barrett, it never felt like an invention. After discovering the album that day in Seattle, I’ve bought it several times. The original pressing had See Emily Play but the American one didn’t
|3||See Emily Play|
|5||Pow R. Toc H.|
|7||Apples And Oranges|
|7||Shine On Your Crazy Diamond|
- Copyright (c) – Tamanoir Ltd.
- Copyright (c) – Pictorial Press
- Musician – David Gilmour, Nick Mason, Richard Wright, Roger Waters, Syd Barrett
NotesApprox. running time 72 mins
© Tamanoir Ltd.
© Pictorial Press
Made in the EU
(Notes on Back Cover)
Barcode and Other Identifiers
- Barcode: 8 23880 02072 5
- Rights Society: MCPS