ゼーガーとエバンズ, Zager & Evans - 西暦2525年 = In The Year 2525 (Exordium & Terminus) flac album

Опубликовано: 6 мая 2011 г. In The Year 2525／Zager & Evans. In the Year 2525 (Exordium & Terminus). SME; LatinAutor, LatinAutor - SonyATV, Sony ATV Publishing, UBEM, BMI - Broadcast Music In. LatinAutor - UMPG" и другие авторские общества (18).

Producer – Zager & Evans. Japanese issue with picture & lyric insert with English & Japanese text and die-cut generic company sleeve. Later issue with ¥500 price on front of insert. Earlier issue(s?) with lower price on cover also exist, see 西暦2525年 In The Year 2525 (Exordium & Terminus). Matrix, Runout (Label A): XPKS-5615. Matrix, Runout (Label B): XPKS-5616. Rights Society (Songs): BMI. Other (Cat. on both labels): SS-1900Ⓢ. Other (Price): 定価 ¥500.

Loading the chords for '西暦２５２５年／ゼーガーとエバンス In The Year 2525／Zager & Evans'. Bruce Springsteen - Born In The . 12147 jam sessions, chords: Meat Loaf - I'd Do Anything For Love (But I Won't Do That). 8115 jam sessions, chords: Boys Are Back In Town Thin Lizzy. 7098 jam sessions, chords: Led Zeppelin - Immigrant Song (Live Video).

Songs played include In The Year 2525 (Exordium & Terminus) (西暦2525年). Zager & Evans was a Lincoln, Nebraska rock-pop duo of the late 1960s and early 1970s, named after its two members, Denny Zager and Rick Evans. Artists Dave Trupp and Mark Dalton backed up the duo. Zager & Evans are only known for their immensely popular song In the Year 2525 (Exordium And Terminus), written by Rick Evans. It hit number one on the UK chart in 1969. ーガーとエバンズ, Zager & Evans,RCA,0.

In the year 2525 If man is still alive If woman can survive They may find. In the year 3535 Ain't gonna need to tell the truth, tell no lies Everything you think, do and say Is in the pill you took today

Altri album di Zager & Evans. 2525 (Exordium & Terminus), Zager & Evans. In the Year 2525 (Exordium Terminus). only resorts to degraded images as part of its information feed.

Download MP3. MP3 320Kbps, . 2 Mb MP3 64Kbps, . 2 Mb. Denny Zager.

Essentially a one-hit record, In the Year 2525 will be of interest to most listeners solely for its compelling opening title track, which is a strangely haunting relic of dystopian kitsch that combines mariachi brass, jangling acoustic guitar, and a millennial narrative of technological meltdown. In one of the worst bits of track programming ever, it is followed by the hilariously awful sap-song "Woman