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Monteverdi - Les Plus Beaux Madrigaux (6-7-8) : Combattimento Di Tancredi E Clorinda - Ballo Dell'Ingrate - Lamento D'Arianna Et Dix-Sept Madrigaux flac album

Monteverdi - Les Plus Beaux Madrigaux (6-7-8) : Combattimento Di Tancredi E Clorinda - Ballo Dell'Ingrate - Lamento D'Arianna Et Dix-Sept Madrigaux flac album
Title:
Les Plus Beaux Madrigaux (6-7-8) : Combattimento Di Tancredi E Clorinda - Ballo Dell'Ingrate - Lamento D'Arianna Et Dix-Sept Madrigaux
Performer:
Style:
Baroque
Released:
FLAC album size:
1564 mb
Other formats:
DMF WMA AA AUD VOC MPC DXD
Genre:
Rating:
4.1 ✪

Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22. Aapo Häkkinen, Helsinki Baroque Orchestra. Ballo alla polacha con il suosaltrello, for harpsichord. 10. Pass è mezzo, for harpsichord. 11. O quam suavis et decora. 12. Ricercare quarto del quarto tuono trasportato con 4 fughe, e cantofermo.

Exclusive discount for Prime members. Sample this album Artist (Sample). Il combattimento di Tancredi e Clorinda, SV 153. 18:16. In ‘Il ballo delle ingrate’, the cause of death is refusal of sexual intercourse: ‘Who is Love’s enemy and arms her heart in the flower of youth with cruel affections, will suffer burning and torment’. As Paolo Fabbri notes in his excellent introduction, it ‘is a piece of propaganda in favour of erotic love’. In ‘Il combattimento di Tancredi e Clorinda’ the cause of death is war. This madrigal is also a sectarian religious parable: the Christian warrior defeats in a mortal combat his ‘enemy’, whose soul can only be saved by converting to the Christian faith.

Album · 1993 · 10 Songs. 30th Anniversary - Les Arts Florissants Compilation. Rameau : Hippolyte Et Aricie. Monteverdi: Vespro Della Beata Vergine. Mozart: Die Zauberflöte.

This discography is a partial list of recordings of "Lamento d'Arianna" (Ariadne's lament), the only surviving fragment of music from the lost opera L'Arianna (1608) by Claudio Monteverdi (1567–1643). The lament was saved from oblivion by the composer's decision to publish it independently from the opera; in 1614 as a five-voice madrigal, and in 1623 as an accompanied solo. Monteverdi: Lamento d'Arianna 'Lasciatemi morire'; Madrigals. Helga Müller-Molinari (mezzo-soprano). Concerto Vocale conductor: René Jacobs. Il ballo delle ingrate (SV 167). Il combattimento di Tancredi e Clorinda (SV 153).

The Combattimento di Tancredi e Clorinda, composed for the most prominent of Monteverdi's Venitian partons, the senator, Girolamo Mocenigo, was performed for the first time at the Mocenigo Palace near St Mark's Square, during the Carnival of 1624. Based on a passage from Torquato Tasso's Gerusalemme liberata, it is a crucial work in Monteverdi's output, partly because it is virtually the only clue we have of his approach to music for dramatic performance between the two Mantuan operas and the two late Venetian ones. Claudio Monteverdi Composer. William Christie Conductor. Les) Arts Florissants Chorus. Les) Arts Florissants Orchestra. Madrigals, Book 8 (Madrigali guerrieri et amorosi. Ardo, avvampo, mi struggo. Il) Ballo delle ingrate. Il) Combattimento di Tancredi e Clorinda.

Lamento d'Arianna, SV22. Vespro della beata Vergine, SV206 Work. Ian Honeyman Tenor, Helsinki Baroque Orchestra Orchestra, Aapo Häkkinen Conductor. Giovanni Picchi Composer. Pass è mezzo, for harpsichord Work. Helsinki Baroque Orchestra Orchestra, Aapo Häkkinen Conductor. Pier) Francesco Cavalli Composer. O quam suavis et decora, for voice and continuo Work. O quam suavis et decora, for voice and continuo. Giovanni Salvatore Composer. Ricercare quarto del quarto tuono trasportato con 4 fughe, e cantofermo Work.

Tracklist

A1 Combattimento Di Tancredi E Clorinda (Livre VIII)
A2 Chiome D'Oro (Livre VII)
B1 Altri Canti Di Marte (Livre VIII) (1re Partie)
B2 Due Bell'Occhi (Livre VIII) (2e Partie)
B3 Et E Pur Dunque Vero (Scherzi Musicali)
B4 Batto Qui Pianse (Livre VI)
B5 Amorosa Pupilletta (Scherzi Musicali)
C1 Lamento D'Arianna (Livre VI)
C2 Vago Augelletto (Livre VIII)
C3 Ecco Di Dolci Raggi (Scherzi Musicali)
C4 Io Che Armanto Sin Hor (Scherzi Musicali)
C5 Fugge Il Verno Dei Dolori (Scherzi Musicali)
C6 A Dio Florida Bella
C7 Damigella Tutta Bella (Scherzi Musicali)
D1 Il Ballo (Per L'Imperatore Ferdinando) (Livre VIII)
D2 Lettera Amorosa - Se I Languidi Miei Sguardi
D3 Lidia Spina Del Mio Core
E1 Ballo Dell'Ingrate (Livre VIII) (1re Partie)
F1 Ballo Dell'Ingrate (Livre VIII) (Suite)
F2 Partenza Amorosa
F3 Dolci Miei Sospiri (Scherzi Musicali)
F4 Misero Alceo

Companies, etc.

  • Phonographic Copyright (p) – Editions Coastallat

Credits

  • Alto Vocals – Hanna Schaer (tracks: E1, F1), Nicole Rossier-Maradan (tracks: B5, C5, C7, D3, F3, F4)
  • Baritone Vocals – Michel Brodar (tracks: A1, B1, B2, B5, C2, C5, C6, C7, D1, D3, F3, F4), Philippe Huttenlocher (tracks: A1, C3, C4, F2)
  • Bass Vocals – François Loup (tracks: E1, F1)
  • Cello – Lennart Sköld
  • Choir – Ensemble Vocal De Lausanne
  • Conductor – Michel Corboz
  • Contrabass – Alf Petersen*
  • Flute – Bertrand Sauvin, Thierry Fischer
  • Harpsichord – Luciano Sgrizzi
  • Liner Notes – Roger Tellart
  • Lute – Matthias Spaeter
  • Mezzo-soprano Vocals – Alicia Hafe (tracks: C1, D2, E1, F1)
  • Orchestra – Ensemble Baroque De Drottningholm*
  • Organ – Philippe Corboz
  • Recorded By – Pierre Lavoix
  • Soprano Vocals – Agnès De Crousaz (tracks: B1, B2, B4, C2), Helena Vieira (tracks: A2, B1, B2, C2), Rosemary Hardy (tracks: A1, A2, B3, B4, B5, C5, C6, C7, D3, E1, F1, F3, F4)
  • Tenor Vocals – André Ducret (tracks: B1, B2), Claude Darbellay (tracks: B1, B2, C2, F4)
  • Viola – Ake Hedlund*
  • Violin – Lars Brolin, Predrag Novovic*

Notes

Enregistrement réalisé en septembre 1978 en la salle du Casino de Vevey (Suisse)
With a 24-pages booklet

Barcode and Other Identifiers

  • Other (Premier Disque): STU 71228
  • Other (Deuxième Disque): STU 71229
  • Other (Troisième Disque): STU 71230