Indian folk music (Hindi: भारतीय लोक संगीत) is diverse because of India's vast cultural diversity. It has many forms including bhangra, lavani, dandiya, Sufi folk rock, and Rajasthani. Andhra Pradesh: Madiga Dappu, Mala Jamidika. Assam: Bihugeet, Tokarigeet, Kamrupi Lokgeet, Goalparia Lokogeet. Chhattisgarh: Pandavani. West Bengal: Bahula, batiyali, Kirtan, Nepali Lok Geet (North Bengal). Gujarat: Garba, Doha. Karnataka: Bhavageete.
Lavani is a popular folk music of Maharashtra and was originally performed to entertain the soldiers. The song is usually performed by womenfolk and it conveys information pertaining to society and politics. Lavani is further divided into two types – Nirguni Lavani and Shringari Lavani. Chakri is one of the most important folk music of the state. As it narrates famous love stories, it is often sung at weddings.
Folk Dances Dindi and Kala are the religious folk dances in Maharashtra, which expresses religious ecstasy. Young women perform a variety of folk dances known as phugadis on the occasion of Mangalagouri Puja as well. Koli Dance Koli is the dance form of Koli fisher folk of Maharashtra. The community has its own distinct identity and lively dances. The dance incorporates elements that this community is most familiar with - sea and fishing. Lavani Dance The word Lavani derived from Lavanya, meaning beauty. This form is a combination of dance and music, which is dealt with different and varied topics such as society, religion, politics, romance, etc. Povadas Dance Povadas are presented in the Marathi ballads form. This dance form describes the events in the life of the great Maratha ruler, Shri Chhatrapati Shivaji Maharaj.
Folk music in India is a part of the Art and Culture syllabus for UPSC IAS exam. This article talks about the various rich Indian folk music from different parts of the country for the IAS exam. There are many types of music prevalent in the Indian subcontinent that belongs to various categories. Each state of India has its own form of music based on their cultural affirmation. Unlike classical music, folk music does not follow any set of rules and regulations. They are majorly based on diverse themes and rhythm. Folk music of India UPSC
The traditional music of Japan comprises a rich variety of styles developed over the course of more than a millennium. Among them are ancient imperial court music (Gagaku), the 14th-century form of musical drama patronized by feudal lords (Noh), and semiclassical music. This 1974 recording features three traditional Japanese semiclassical and five regional folk music compositions, also from the late feudal period. The semiclassical performances feature the shamisen (lute), koto (zither), and shakuhachi (flute). Folk songs come from the mountains, the coast, Okinawa, and Tokyo. This album is part of the UNESCO Collection of Traditional Music.
Plethora of folk dances enthrall audience with wide variety of costumes, colors & ornaments. Some of most popular folk dances from Maharashtra are here. This is one of the most popular dances in Maharashtra. The word Lavani is derived from the word lavanya meaning beauty. Women perform this dance in their traditional attire called nauveri or a nine yard saree. Women dance to the beats of the dholak or the instrument similar to a drum. In earlier days, this dance was performed for the relaxation of the tired soldiers of the Maratha army. Tamasha is one more of folk dances from Maharashtra that combines romantic music along with the lavani dance. Tamasha in Persian means fun and entertainment. The themes of the dance are based on the Ramayana and the Mahabharata.
Folk Music of Palestine. Selected from the Department of Folk Music of the Anthropological Institute of Israel - formerly the Palestine Institute of Folklore and Ethnology - the album's 16 tracks document traditional music from the region of Palestine. Within this mix is a Bokharian wedding song, characterized by a yodeling trill and a 3/4 meter articulated on two doyras (hand drums). The Iranian tune "Recitation From Firdausi's Shaname" features a pleasant gait and smoothly sung verses that alternate between two male singers.
|Utha Utha Sakala Jan (Bhoopali)|
|Sukha Karta Dukha Harta (Arti)|
|Gora Chandra Dagala (Lavni)|
|Chandanpur Nam Ek Nagar (Vag)|
|Hoya Pawalaya Dev Mala Malhari (Koli Geet)|
|Vaje Chaughada Run Zuna (Stree Geet)|
|Visava Vithal (Abhang)|
|Sherala Bhetala Savvasher (Powada)|
|Shiva Nandana Karun Vandana (Gan Gaulan)|
|Jejuri Chya Khanderaya Jagarala Yaya (Vaghya Murli)|
|Bhalagadi Dada Bhalara (Bhallari)|
|Bala Jo Jo Re (Stree Geet)|
|5C 050-81489||Various||Music From India - Folk Music Of Maharashtra (LP)||Columbia||5C 050-81489||India||1973|
|5C 050-81489, 5C050.81489||Mohantara Ajinkya & Party||Music From India - Folk Music Of Maharashtra (LP)||Columbia, Columbia||5C 050-81489, 5C050.81489||Netherlands||Unknown|
|ECLP 2257||Various||Music From India - Folk Music Of Maharashtra (LP, Comp)||His Master's Voice||ECLP 2257||India||Unknown|