Liam Gillick, A Depicted Horse is not a Critique of a Horse, Kerlin Gallery, Dublin, 23 November 2018 – 19 January 2019. Liam Gillick Adam Pendleton Adam Pendleton Liam Gillick, Eva Presenhuber, New York, November 3 - December 22, 2018. There Should Be Fresh Springs, 2018. There Should Be Fresh Springs, Gallery Baton, Seoul, Korea, October 19 - November 23, 2018. photo: Jon Super for MIF17. Were People This Dumb Before TV?
Released and shown in the Hamburger Bahnhof in Berlin and the Guggenheim in New York amongst other places, it gives a fast-paced and gorgeously filmed look into the (political) life of Washington DC. The 18-minute soundtrack score has been made by artist Liam Gillick and has been rerecorded especially for this CD release. There are no notes associated with this item.
Liam Gillick (born 1964) is an English conceptual artist who lives in New York City. He is often associated with the artists included in the 1996 exhibition Traffic, which first introduced the term Relational Art. Liam Gillick graduated from Goldsmiths College in 1987 with a degree in fine art. In 1989 he mounted his first solo gallery exhibition, 84 Diagrams, through Karsten Schubert in London.
Liam Gillick is an English conceptual artist who lives in New York City . Gillick has exhibited in galleries and institutions in Europe and the United States, many of which have been collaborative projects with other artists, architects, designers and writers.
Liam Gillick was born in 1964 in Aylesbury, Buckinghamshire, United Kingdom. More photos. Young British Artist Liam Gillick is primarily interested in analyzing structures, social organizations, and human interaction. An early practitioner of Relational Aesthetics, Gillick's cross-disciplinary practice also comprises music composition, writing, and curatorial projects.