The ten-album set, of course, is this Mystery Box, but the other albums are never identified. He is quoted (on page 195) as saying: Quote: I'm a big Zappa fan. In fact my Mystery Box got Zappa as upset as Columbia got over Ten of Swords. Zappa in America has a hotline for his fans to call and he went so far as to have the woman who does the hotline ask for help in tracking down the perpetrators of this heinous boxed-set, and Zappa called the FBI and the FBI didn't want to be bothered.
Carnegie Hall is a quadruple live album by Frank Zappa and The Mothers of Invention, released posthumously on October 31, 2011, by the Zappa Family Trust on Vaulternative Records
Complete collection includes all four public shows, invite-only soundcheck, rehearsal and Bolic Studios session. Fourty three years ago in December 1973, Frank Zappa played a series of legendary concerts at the famed Roxy Theatre on the Sunset Strip in Hollywood. Considered a high-water mark of his career, owing to the incredible, virtuosic performances of himself and his stellar band The Mothers, the five shows – across three nights – included a private invite-only ck/film shoot followed by back-to-back doubleheaders. This box contains some of the best nights of music Los Angeles has ever seen with their ears at an historic venue," says Ahmet Zappa, who co-produced the collection along with Travers, Hold on to your hotdogs people. This box is the be-all-end-all. This is it. This is all of it.
UMG (от лица компании "Frank Zappa Catalog"); LatinAutor, AMRA, UBEM, UMPI, Kobalt Music Publishing, ASCAP" и другие авторские общества (7). Композиция. Авторы текста и музыки. UMG (от лица компании "Frank Zappa Catalog"); UBEM, UMPI, ASCAP, LatinAutor, AMRA" и другие авторские общества (10).
10 No. 3. Barcarolle in G minor Prélude in A minor, Op. 32/8 Prélude in G sharp minor, Op. 32/12 Prélude in G minor, O. 10 Piano Sonata No. 3 in A minor, Op. 28 From Old Notebooks. Gary Graffman – piano The Cleveland Orchestra, George Szell.
The 10 best Frank Zappa songs picked by Bill & Ted star Alex Winter. By Alex Winter (Classic Rock) 2016-03-29T17:00:00Z Classic Rock. Bill & Ted star and Zappa fanatic Alex Winter picks Uncle Frank’s greatest ever songs. And I really felt that this was a true version of the orchestral stuff, which didn’t always happen. Sometimes the orchestral stuff got done by musicians who Frank paid and who really didn’t give a crap about his music. I saw an interview where Frank said that the Freak Out! album wasn’t supposed to be serious: It was supposed to be a piece of vaudeville. What’s great about this album, and this track, is that it just looks like a piece of nostalgic psychedelia in today’s context. But at the time it was extremely subversive, both from an audio standpoint and from the whole notion of the freak persona that Frank ushered in.
Frank Zappa is widely considered one of the best frontmen in rock. This Frank Zappa discography is ranked from best to worst, so the top Frank Zappa albums can be found at the top of the list. To make it easy for you, we haven't included Frank Zappa singles, EPs, or compilations, so everything you see here should only be studio albums. If you want to know, "What is the Best Frank Zappa album of all time?" or "What are the top Frank Zappa albums?" then this list will answer your questions. Examples include Apostrophe and Hot Rats.
A list of the Top 10 Frank Zappa albums. Supposedly developed as the soundtrack to a science-fiction movie Zappa and the Mothers were putting together, the record messes around with overdubs, tape manipulation and ever freak outs like no other album in Zappa's vast catalog. 'Hot Rats' (1969). Hot Rats' marks a major turning point in Zappa's career
Around the mid-80's, under the strong conservativeship of Ronald McReagan, political correctness became a word that was worth 10 000 points, and the backwards-minded administration wxas using this to gain free games at the Presidential Pinball rally. In stepped Frank to defend the freedom of speech. The main point of this is Francesco fighting the censorship so he can still sell album like Joe's Garage to kids and the text are the usual Zappaesque madness.
|Pigs 'N Repugnant|
|A1||The Eric Dolphy Memorial Barbecue||10:10|
|A2||Hungry Freaks, Daddy||3:40|
|A3||The Wild Man Fischer Story||3:35|
|A4||I'm The Meany||1:35|
|B||King Kong (29:16) (cut @ 14:21)||29:16|
|Son Of Pigs 'N Repugnant|
|C||The String Quartet||24:35|
|D1||The Duke (Including Aybe Sea And Transylvania Boogie)||8:50|
|D2||Help, I'm A Rock||5:05|
|D3||The Return Of The Son Of Monster Magnet||10:11|
|Beyond The Fringe Of Audience Comprehension|
|E1||What Will This Morning Bring Me This Evening?||1:54|
|E3||What Kind Of Girl Do You Think We Are?||4:29|
|E5||Latex Solar Beef||1:36|
|E6||Daddy Daddy Daddy||2:53|
|E7||Do You Like My New Car?||2:55|
|E9||What Will This Evening Bring Me This Morning?||3:50|
|F1||Interview (Part 1)||2:58|
|F2||The Final Solution||2:22|
|F3||Interview (Part 2)||1:47|
|F5||Time Is Money||2:45|
|F7||Spider Of Destiny||3:00|
|G1||Mr.Green Genes/King Kong/Chunga's Revenge||21:27|
|The Rondo Hatton Band|
|I1||I'm The Slime||3:00|
|I4||Boogers Of Marty Perellis||4:48|
|I5||White Juice On His Beard||2:08|
|I6||Smell My Beard||5:16|
|J2||Don't Eat The Yellow Snow||0:57|
|J3||Nanook Rubs It||6:42|
|J4||St. Alphonzo's Pancake Breakfast||1:10|
|J6||Penguin In Bondage||5:10|
|J7||T'Mershi Duween / The Dog Breath Variations / Uncle Meat||1:56|
|A Token Of His Extreme|
|K4||Dog Breath / Uncle Meat||3:55|
|M1||I'm The Slime||3:10|
|M2||Peaches En Regalia||3:20|
|M4||The Purple Lagoon||3:57|
|M5||The Meek Shall Inherit Nothing||3:33|
|M6||Son Of St.Alphonzo||4:18|
|N2||We're Turning Again||4:48|
|N3||Them Or Us||7:57|
|N4||Clowns On Velvet||4:49|
|Crush All Boxes|
|O2||Pick Me, I'm Clean!||3:31|
|O4||Harder Than Your Husband||2:32|
|O5||Bamboozled By Love||3:04|
|O7||Falling In Love Is A Stupid Habit||1:56|
|Return Of The Son Of Serious Music|
|R1||While You Were Art #1||7:15|
|R2||Francesco Opus 1, No. 1, 2nd Movement||1:34|
|R3||Francesco Opus 1, #6||1:50|
|R4||Francesco Opus 1, #11||2:00|
|S1||America Drinks And Goes Home||0:50|
|S4||Lumpy Gravy (Dialogue Outtakes)||0:45|
|S6||Don't Fuck Around||1:31|
|S7||Well (Baby Please Don't Go)||7:47|
|T1||In Memoriam: Hieronymous Bosch||5:05|
|T2||Two On The Town||0:22|
|T4||Truck Driver Divorce||1:24|
|T5||Frogs With Dirty Little Lips||2:21|
|T6||None Of The Above||6:31|
- Recorded At – Lawrence University
- Recorded At – Fullerton College
- Recorded At – Capitol Theatre, New Jersey
- Recorded At – Hordern Pavilion
- Recorded At – The Ritz, New York
- Recorded At – Apostolic Studios
- Recorded At – Stony Brook University
NotesPigs 'N Repugnant:
Tracks 1-2 are live in Appleton 1969, taken from Gas Mask. Track 1 begins with "The Jelly" and cuts to "The Eric Dolphy Memroial Barbecue" at 02:20. Tracks 3-6 taken from Our Man in Nirvana (Fullerton College, 08-Nov-1968). "King Kong" is 31 minutes long on Our Man in Nirvana, here it is 28 minutes and 41 seconds. It IS the same recording, yet it is slower here (and in a lower key, of course) and includes a final "goodnight" which is cut from Our Man in Nirvana. So one part has been edited out of this version, and the edit occurs at 14:24.
Son Of Pigs 'N Repugnant:
Track 1 is "A Pound for a Brown on the Bus" plus "Sleeping in a Jar", taken from Our Man in Nirvana (Fullerton College, 08-Nov-1968). At the time, Zappa called this conglomeration "The String Quartet". Tracks 2-4 are live in Appleton 1969, the recording that also appeared on Gas Mask. Track 2 is like "Return of the Hunch-Back Duke" on Stage #5 and includes "Aybe Sea" and "Transylvania Boogie", and track 4 is an instrumental jam. This side is a real live segued sequence.
Beyond The Fringe Of Audience Comprehension:
The Mystery Box version has these liner notes: "Tracks 1-4 [of side 2] are from the film 200 motels. Tracks 5-7 are from Hunchentoot." "'Space Boy' is the rarest track in this entire box. It was recorded for the Curtis Harrington film, Queen of Blood. Words, music and vocals by Florence Marley. Orchestration and additional instruments by FZ. Sound effects by Ackerman & Cole." Tracks 14-16 have been said to be the remixed Sleep Dirt versions. The suite on side 1 (often called "The Groupie Opera") has been circulated as either "unknown live 1970/1971" and "Butte, Montana 1970/1971" (they do sing "this is the swingingest place in Butte, Montana"), but sounds more like a studio job without an audible live audience. The title is from one of Zappa's catch-phrases: "Some of us live beyond the fringe of audience comprehension. The air is better here."
Track 4 is probably from the 1975 UCLA Royce Hall concert (the same concert as on Orchestral Favorites). The same recording also appears on Apocrypha, where it's listed as "Gypsy Airs". (The piece was originally recorded in 1967 for an unreleased single, which was planned for release on Capitol Records together with the all-orchestral original version of Lumpy Gravy, which was only released on 8-track.) Track 5 is a longer edit of the Shut Up & Play Yer Guitar version (Osaka 3-Feb-1976). Longer, but still edited; perhaps a tape edited by Zappa himself somehow found its way here. Track 6 is a guitar solo from "More Trouble Every Day". Track 7 is a different edit of "Hands with a Hammer" on Stage #3 (Osaka 3-Feb-1976). Those two are also what is listed as "Guitar Improvisation" on the Wanna Buy Some Acid? bootleg. Track 8 is live in Vancouver 1-Oct-1975. Track 9 is a version with the Mike Douglas band (from a 1976 TV show) backing Frank Zappa (also released on Apocrypha). According to the liner notes on the Mystery Box version, "Tracks 1-4 [on side 2] are the entire side 3 of the unreleased double album version of Zoot Allures". This may not be not correct, but there were serious plans for a double album version of Zoot Allures.
The Rondo Hatton Band:
Track 1 is the single version, with a different guitar solo from the album version. Tracks 2-6 are live at the Capitol Theater in Passaic 08-Nov-1974. Tracks 7-11 are live in Sydney 24-Jun-1973, also issued on Nifty (track 11 is Zappa improvising around the letters MAR-JUH-RENE) - from the "Un-Concert". Tracks 12-13 are December 1973 bonus tracks.
A Token Of His Extreme:
On both sides everything is adjusted to have an "all segue", but edits between songs are of course clear. Audience is only audible in the middle of "Approximate" and after "Florentine Pogen" (the song finish at 9:55). Most songs on side 1 (and expecially the second half of "Inca Roads") are overcrowded of crazy rumours overdubs. "Stinkfoot" is the "Tom Waits version" ("right around the corner ... over by Tom Waits's Restaurant"] and is sung through the voice modifier. "Approximate" is, of course, just a little bit of the song, with first the theme illustration by the whole band, then a vocal extravaganza (Zappa: "That's the melody"), after which Zappa says "Ok, this can also be danced" but "Cosmik Debris" starts.
Track 7 has been officially released on Guitar in a slightly different mix; it's from Salt Lake City 07-Dec-1981. Track 8 is an officially unreleased live version edited together from Santa Monica 11-Dec-1981 (early show) and Salt Lake City 07-Dec-1981. Track 9 is an officially unreleased guitar solo from "The Black Page #2", from San Diego 12-Dec-1981, early show. Track 10 is from the Ritz show in New York on 17-Nov-1981 when Al DiMeola sat in (bootlegged on Assault on New York - The Toxic Shock Trilogy).
Crush All Boxes:
Quoth the liner notes: "'Fine Girl' and 'Drafted Again' are outtakes. Tracks 2-5 are studio rehearsals with drum machine. ('Teenage Wind' and 'Harder Than Your Husband' are instrumentals. 'Falling in Love Is a Stupid Habit' is a demo for Jimmy Carl Black (FZ: piano & vocal)." Zappa later denied that he ever wrote that last song in an interview published in the fanzine Society Pages. Tracks 2-5 and 7 also appear on Apocrypha.Tracks 9-12 on side two represent the entire side one of the unreleased Crush All Boxes. Bonus track 'Teenage Wind' is an outtake. It does not feature Bob Harris on vocals.
Return Of The Son Of Serious Music:
Side 1 is from an orchestral situation with the Pomona Valley Symphony Orchestra at Mount Saint Mary's College, Claremont, California in 1963, conducted by Frank Zappa. A small part of this has been officially released on The Lost Episodes, as "Mount Saint Mary's Concert Excerpt". According to the liner notes on the Mystery Box, "While You Were Art #1" is the "original, stripped-down version", and the Francesco tracks are out-takes. They sound like different orchestrations of Francesco Zappa album tracks. "Francesco Rock" has a drum track. The notes also claim that "Pedro's Dowry" was played by the Berkely Symphony Orchestra in June 1981, but it's from "A Zappa Affair", June 16, 1984. Anyway, this release may or may not be related to the bootlegs Serious Music and Son of Serious Music - it's certainly supposed to look that way.
Track 2 has been officially released on the Mystery Disc. Track 3 is an alternate take of "Dwarf Nebula" from Weasels Ripped My Flesh, recorded at Apostolic Studios, New York. Tracks 5-6 are the last bit of "Billy the Mountain"; it also appears on Cuccurrullo Brullo Brillo and Apocrypha. It's a live recording, but there has been speculation that there are some overdubs on it. Track 7 is a longer edit of the Playground Psychotics version with John Lennon. Track 8 is a live improvisation from a New York TV show called The Bitter End in 1967. Track 10 is the same version as on disc 3 of Apocrypha (Stonybrook, 15-Oct-1978). Track 12 is a 1981 studio version that also appears on Demos and Apocrypha. Tracks 1, 9, and 11 are unknown versions. Track 1 must be from 1967-1968 as Ray Collins is on it. Track 11 must be from Europe, summer 1982, as Ed Mann is on it.
Barcode and Other Identifiers
- Matrix / Runout (Side A, etched): NTB 8603
- Matrix / Runout (Side B, etched): NTB 8604
- Matrix / Runout (Side C, etched): NTB 8602
- Matrix / Runout (Side D, etched): NTB 8605
- Matrix / Runout (Side E, etched): NTB 8616
- Matrix / Runout (Side F, etched): NTB 8620
- Matrix / Runout (Side G, etched): NTB 8606
- Matrix / Runout (Side H, etched): NTB 8615
- Matrix / Runout (Side I, etched): NTB 8619
- Matrix / Runout (Side J, etched): NTB 8617
- Matrix / Runout (Side K, etched): NTB 8613
- Matrix / Runout (Side L, etched): NTB 8614
- Matrix / Runout (Side M, etched): NTB 8607
- Matrix / Runout (Side N, etched): NTB 8609
- Matrix / Runout (Side O, etched): NTB 8618
- Matrix / Runout (Side P, etched): NTB 8608
- Matrix / Runout (Side Q, etched): NTB 8601
- Matrix / Runout (Side R, etched): NTB 8610
- Matrix / Runout (Side S, etched): NTB 8611
- Matrix / Runout (Side T, etched): NTB 8612